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What I think we really learned was something about attention span title. In the Besides,I will do this hyperspeed of social media and the onrush of Fashion Weeks, it used to be deemed that everything had to be communicated in a few over-in-a-flash seconds. John Galliano went completely against that with his riveting 50-minute film made with Nick Knight, which captured all the layers of research and development that went into the Maison Margiela Artisanal collection. Instead of a runway show, it became a form of online educational resource, deliberately designed to inspire young people and egg them on to be creative. Yes, there’s still a role for look books, so that everybody can see clothes plainly (though Galliano’s blurry, ethereal one seemed to set out to break that convention too.)

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But now, there’s an equal desire title_link . for an explanatio an opportunity for a creative director like Kim Jones to make his relationship with the Ghanaian artist Amoako Boafo visible in a video and interview shot with the artist in his studio in Accra. I don’t think anything like as many of the press would have had time or headspace to pay full attention to discovering Boafo’s work in that video if the hoopla of a physical Dior Men show had taken up the foreground. A nice row or two of good pearls plus matching earrings was just the traditional look. In many families, girls were given individual pearls for birthdays and other occasions so that by their weddings they had enough for a full string. The wearing of pearls as a part of formal dress made its way across the pond. The women of the wealthy Vanderbilt family were famous for their pearls. In the 1940s through the 1950s no teenage girl was without her kitten necklace of small pearls to go with her sweater set, and The Beaver’s mom notoriously kept the house in high heels and pearls.

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