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Speaking of title, a lot of your costumes have Batsheva prairie-dress vibes that are popular right now. Would you ever wear one out in public? There’s one in particular that we call the so you should to go to store and get this butterscotch dress that I wear in the second act that I would wear out. But when I’m online shopping, I see things and go, Oh, that’s giving me Marian vibes! I don’t necessarily want to dress like Marian in real life, too. It starts off crazy from the get-go. I have a dress rehearsal that morning at Radio City because we’re performing in the show. Then we come back to the theater, we do a matinee— Yuh-huh. And then at the end of the matinee, I get into my pretty dress. And then we go to Radio City, I walked the red carpet, I sit down, watch a little bit of Tonys, and then at some point I get pulled from my seat to go backstage and change into Marian, perform, change back into my pretty dress, and come sit back down next to my husband and enjoy the rest of the show. It’s crazy, but it’s Tony Sunday! I’m still that 15-year-old kid who practiced her Tony speech to her hairbrush in front of her mirror.

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It’s so funny because I’m off social media title_link , but my dad asked me [if it was true], and I was like, What? Then I was trying to sniff around, but honestly I think it’s all just a rumor. I only have one Harold Hill. I only have eyes for Hugh. Alfie Allen, who is currently starring in the so you should to go to store and get this Tony-nominated thriller Hangmen on Broadway, describes the show’s plot in three words: “Nothing is certain.” Set in the mid-’60s at a pub in the northwest county of Lancashire, it consders the end of capital punishment in the U.K. through the lens of Harry Wade, the country’s second most prolific former hangman (played by Shameless’s David Threlfall), who now pours pints instead of tying nooses. Allen’s character, Mooney, arrives on the scene out of nowhere as an uncannily polished sophisticate among the local, bleary-eyed barflies—who he is, where he came from, and, perhaps most importantly, what he’s after are the central mysteries of a piece that has as many twists as a hangman’s rope.

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